The People vs. Gregory Wilson

I had never listened to Scott Wells' Magic Word Podcast until recently. "A podcast for magicians, about magicians," does not sound appealing to me. In fact it sounds like it's intended to be some kind of punishment. You realize a lot of these people got into magic because they couldn't string together a sentence that their fellow middle schoolers found compelling, yes? We're interviewing these people now? 

No, I'm sure the podcasts are fine and I give Scott a ton of credit for putting out over 270 of them. That's insane. I just hadn't ever gotten into them. I'm already behind on the podcasts I do listen to, so the Magic Word Podcast never cracked my Zune, baby. Until recently, that is, when the whole Gregory Wilson kerfuffle started. (And I'm man enough to call a kerfuffle a kerfuffle. Don't think I won't.)

Scott Wells has said on the Genii message board that he wants this podcast to play out like the podcast Serial did. And that would be a pretty apt comparison if Serial had not been about a tragic murder and had instead been about someone shoving food into their purse at a buffet. Like, that's how low-stakes the issues being talked about in regards to Gregory Wilson are. 

It all started a few weeks ago when Greg was being interviewed on episode 268 of the podcast and he decided it would be a good time to come to his own defense because, apparently, many people think he steals material. Or, at the very least, that he appropriates ideas and then claims to have been working on them for years. I didn't know this was a reputation that Greg had. I had heard of a couple issues in the past, but I think even the most honest magician will have a couple of issues either due to independent invention or just because we don't always remember where every bit of inspiration comes from. 

So Greg, feeling he had unfairly been given the reputation of being a thief, decided to clear the air in a fairly aggressive way. He called out a number of people for saying he stole tricks or failed to credit. The people did so "with no evidence,"  he claimed. And I'm sure at the time it felt great to call these people out, but all he ended up doing was shining a light on a controversy that wasn't really known to the vast majority of magicians. In future podcasts, Greg's "accusers" are all brought on to give their side of the story, and for the most part they don't even really want to go after him all that much (other than John Lovick, who does so gleefully). In general, his accusers seemed to be over the alleged transgression or at the very least weren't making much of a big deal about it. So the sad thing for Greg is, when he runs the license plate for the bus he got thrown under, he's going to find it's registered in his own name. 

The podcasts -- and so far there are five episodes devoted to the subject: 268 - Greg Wilson, 270 - Apollo Robbins, 272 - Cosmo Solano, 273 - Alex Rangel and Bret Geris, 274 - John Lovick and Seth Kramer -- aren't particularly fascinating in an insider-magic way. The accusations just aren't that interesting. But as a psychological study of a person, I find it pretty intriguing. 

I don't have a dog in this fight. I'm friendly with John Lovick and he's been supportive of my work for over 10 years. He's one of the few "comedy" magicians who I feel has genuine comic chops and he seems comfortable in his own skin (although god only knows why, if you've seen the guy). I don't know any of the other people on the "anti-Greg Wilson" side, but they all sound totally reasonable and seem completely convinced of their position. 

And I like Greg too. I don't know the guy at all but I've enjoyed much of his material and his online lectures. The picture that is painted by listening to these podcasts is not that Greg is untalented, and maybe not even that he's a thief, really. But that his talent is in finding good effects and props and building on the work of others (Lovick makes a compelling point that most all of his releases are other people's effects). And perhaps that's not how he wants to think of himself. Maybe he want to see himself more as an originator. So when he sees an effect he likes, part of his brain is like, "I think I had that same idea a long time ago," and then he just goes forth as if that's reality when maybe it's not. I don't know. I do have a feeling his defense is going to be, "All these people are liars!" which isn't a great defense unless there's some rationale for why this group of people has aligned against you.

My favorite story to come from the podcasts is when Greg threatened to beat up John Lovick and Luke Jermay. Going so far as to invite them to his "dojo" for a fight. First off, if someone invites you to their dojo to fight, absolutely take them up on it. I was a bouncer at a notoriously rowdy bar in my early 20s. There is nobody who it is easier to kick the shit out of than someone who has trained in martial arts. Their training and their sparring follows a code of conduct that is so far removed from actual real-life fighting that I've found them much easier to knock on their ass than the average guy. Here's a video of how shitty your attacks would have to be to have them defended by martial arts.

But regardless of that, you're going to beat up John Lovick? This guy?

What pride can you take in that? "I just knocked the crap out of John Lovick." Well, great, now you and a stiff breeze have something in common. I've been kissed harder than John Lovick can punch. I can't imagine what kind of praise you would expect from beating up John. Here's what would happen. You'd beat him up and then be like, "Did you see what I just did there?" And the other person would be like, "What do you mean? I saw you knock over a pool cue someone had draped a suit on, but other than that, no. I certainly didn't see anything worth bragging about."

A Valentine's Day Trick

Valentine's day is coming up. There is a history in magical performances of trying to make things "romantic" by adding the most blatant and obvious love symbolism to the effect: hearts and roses and stuff like that. So instead of sponge balls, they'll do a trick with sponge hearts. There is nothing romantic about the presentation, it's just sponge balls with sponge hearts. Many magicians are just dumb enough to believe that doing an effect with props laden with banal symbolism will maybe make someone fall for them, even though there is nothing warm or personal about the effect at all.

It would be the equivalent of writing someone a love poem that went like this:

True Love

Hearts and roses and love
Love and kisses and hugs
The sweet embrace of love
Doves and champagne and a fireplace
And one of those champagne glass hot tubs
And more hearts and rose petals
And the most loving love
Stars in the sky and the moon too
And love
And roses and stuff


In the third issue of my newsletter, X-Communication, I reviewed the effect, The Souvenir by Henri White. In that review I noted a number of issues I had with the effect and then offered some alternate presentational ideas that I believe minimize or eliminate those issues. 

The effect that follows is another presentation for The Souvenir that I believe also addresses those issues and would be good for Valentine's Day too. It involves a mild invasion of personal space that could be a gently intimate moment (although, knowing you, you'll likely fumble it into something creepy).

The effect is this, you have your spectator select and sign a card. You then tear a small hole out of the middle of the card. Assuming your spectator is wearing a necklace, you ask her to spin it around so the clasp is in front of her and to wrap her fist around the clasp so there's no way anything can get on or off the necklace. You then step behind her, lean in, and connect the card to her necklace the same way you would to the wine glass in the original effect. Step back in front of her and have her spin her necklace around, the card will, impossibly, be dangling from the necklace.

The method is straight from the DVD. But doing it behind your spectator gives you all the time you need to make it look right. And I just feel there's something potentially fascinating about doing something secretive, inches away from someone, and with something attached to their body. 

It does lack the "impossible object" nature of attaching the card to a wine glass, but that doesn't bother me too much. Sometimes it's nice to have that magic moment that you can freeze forever, but I also think there's something to be said for a moment that only you two shared and then it was gone.

However, if you like the personal nature of this effect and do want to extend that magic moment, try this... Take your phone and turn on the video camera, do a 360 around your spectator showing that her necklace is normal. Then have her spin the clasp to the front and instead of holding the clasp she takes the camera in both hands and records herself. You go behind her, the clasp never goes out of site, and the card links on. Now you have video proof of the impossibility of the object.

Or, if you have this type of relationship with your spectator, you can retain the "impossible object" effect of the original by linking the card to her bra strap or her underwear.

Book Report - 1/28

[Normally I remove these when I put the next one up, but that picture of Josh Jay makes me laugh so I'm keeping this one.]

I'll be honest, these updates are to keep myself on track as much as to keep everyone else informed. I was the type of student who waited until the last minute to write everything and would end up with good grades only because my writing was entertaining, not because my papers were any good . So it's important to me to stay on track with such a big project.

For some reason, in magic --and maybe this is true in other fields as well and I just don't know about it-- there is an almost tolerated practice of taking money and then not delivering a product for years after the date it was promised. People were waiting on Jeff Busby to produce the last seven issues of the Braue Notebooks they paid for for like 30 years. And now he's dead! So if you're still running out to the mailbox everyday for your Braue Notebooks... I hate to break it to you... I don't think they're coming. 

My point being, I'm dead set on this book coming out in a reasonable time frame and these posts are intended to serve as mile markers towards that destination.

Today's Work:

  • 1st draft of chapter on the U___ Y___ Ploy. Plots the evolution of magician's choice between two objects and provides a fairly unassailable 3rd-wave option for such situations.
  • Outlined chapter on the effect Narrow Your Eyes - my presentation and handling for the Hoy book test.
  • Researched fonts and typefaces for the book. 
  • Took this pic of Joshua Jay at a recent Cleveland Cavaliers game and added that hat to his Magic Atlas book cover pic. This has nothing to do with the Jerx book, of course, other than the relationship that all procrastination has to the project being avoided.

This is a Post® on Magic Blog®

I feel tremendously bad for whoever is writing Gibecière 100 years from now. I mean, the history of magic is filled with stories of magicians being spies, using their skills to assist in wars, saving lives, infiltrating the camps of other magicians to steal secrets, taking down spiritualism, etc., etc.

But what will historians write about the magic scene of the early 21st century? That dunce on the Criss Angel tour who keeps almost accidentally killing himself? 

Or perhaps they will write about this scintillating lawsuit where Yigal Mesika is suing Penguin Magic for kidnapping and sexual assault! Wait, no, I misread that... for using the word "Loops" in the metadata that led to search results for non-Loop products! Exciting! 

Look, Yigal, this can't possibly be a good use of your time and energy. I have no reason to defend Penguin Magic. I think they're a great company, but I don't think they like me very much over there, to be honest. And I'm completely supportive of people trying to retain the rights to their intellectual property, but if I go to Amazon and search for Fitbit, I also get non-Fitbit activity trackers in the result. That's just how searches work.

But more importantly, I think it may be time to let go of the name "Loops." Certainly you have more to offer than that. Do you really want this to be the scenario that plays out on judgment day?

God (or whoever oversees Judgment Day): Tell me, son, what is your legacy on earth?
Yigal: This. [Indicates invisible elastic band on his wrist.]
God: Oh, you invented that? That's pretty dope, I-
Yigal: Oh, no. I didn't invent it.
God: Well, so...?
Yigal: But I did register the trademark for the name.
God: Decent, decent. So what did you name them? Something cool, huh? Satan's Ethereal Noose? Something like that? The Wacky Circumference? Hit me.
Yigal: Loops.
God: Right. What did you call the loops?
Yigal: I called them, "Loops."
God: Of course, right up until you came up with a name for them. I get that. You're like, "So what are we going to call these loops?" So what's the name?
Yigal: That is the name. The name of the item is, "Loops."
God: Oh, please. Hit the bricks.

And then you go burn in hell or something? (Again, I'm not familiar with how judgment day works.)

I just think, if your contribution to loop --sorry-- "invisible elastic band" magic is as significant as I think it is, then having your product branded as Mesika Loops should be all the distinction you need. "Mesika" being the important and distinguishing word here (as opposed to the word that describes any goddamn thing in that general shape).

(Thanks to H.W. for pointing me to this story.)

The Phantom Tollbooth and Other Book Reports

Hey everyone, it's me, your favorite iconoclastic heterodox.  

I wanted to give a status update on the still unnamed Jerx Book that will be coming out later this year. Descartes advises us to, "Divide each difficulty into as many parts as is feasible and necessary to resolve it." With that in mind, I have broken down the work required to finish the book into approximately 200 mini projects, each taking a 3-4 hour block of time on my end. I'm going to work on a couple of these projects a day for the next few months. And to keep the people who donated on top of how things are progressing there will be sticky post at the top of this blog that will change daily with just a couple sentences describing what I worked on that day. I'm going to speak somewhat in generalities so as not to spoil some of the surprises, but if you don't want to know anything about what's coming, don't read the posts at all.

You might be saying, "Give me a break, I don't care about the book." Then just scroll past the sticky post, you dingbat. I did consider that it might be annoying to have a post about the book occupy the top spot for the next few months given that it's a relatively small percentage of you that ordered it. But tough shit. The only reason this site can continue is because people support it and I want those people to be in the loop. I love those people (no homodox). 

The book is getting better and weirder as I work on it. It's intended to be a "best of" the first year of this site, but about 1/3 to 1/2 of it is going to be all new stuff that will be exclusive to the book and won't be written up here (or anywhere else, for that matter). It's going to come with some specially made props and the book itself is used as a prop for a couple of tricks too. Will it be the greatest magic book ever? That's not for me to say. That's for historians to unanimously agree is 100% accurate.

For Connecting

If you're an amateur magician who performs in casual situations, then this post is one of those "price of the subscription" ideas. What? There is no subscription price? I'm writing this for free? Well... that just means it's really easy for this to clear the bar of being worth the "price of the subscription." In fact, in that case, all my ideas are worth that price no matter how dumb they are. Like... let me think of something truly dumb... Okay, go to this etsy store and get the guy to engrave a playing card into one side of one of his spanking paddles. Then, when you're with your sex slave, show the paddle to him/her and show that it's normal on both sides (via the paddle move). Then smack their fat-ass with it leaving an impression of a card. Then later force that card on them and reveal it on their own bare ass. As they say, magic that happens on the spectator's own ass is the strongest magic you can perform.

In all seriousness, what comes next is one of the more powerful concepts I've come up with in regards to magic (although I would not be surprised at all if it has been explored by other people as well). The ideas is this: To increase the power of a prediction effect, remove the prediction from the effect. Or, more broadly: To increase the power of your magic, remove yourself from the magic.

A few years ago, one of the other Andys who helps out on this site created an effect where he could predict the outcome of a game of Connect Four. (The link is just in case Connect Four isn't the universal game I assume it to be.)

Now, because I like thinking about magic in a certain way and I love testing different approaches, I asked him to try it out in the following ways:

Approach No. 1 - Say to the spectator before the effect, "I want to play a quick game of Connect Four with you. In this envelope I've made a prediction, it's a drawing of how this game will end. You can play however you want, the only thing I ask is that you try to win the game, don't just let me beat you." And after the game you reveal the prediction

Approach No. 2 - Just play the game of Connect Four with no preamble. Then, when it's over say, "Before the game I made a prediction. It's a drawing of how the game would end." Then you direct the person to open the envelope and reveal your prediction.

Which do you think would work better? Well, he didn't do 100s of trials, just a few each way and he felt like there wasn't much difference in reaction between the two. But ultimately he decided approach number 1 was better. He felt the tension that built during the game made the whole thing more exciting. That makes sense, I think.

Then, as we were sitting around, another friend said, "What if you didn't predict the result of the game at all? What if the game ended and then you go to put it away and you see the game played out identically to the cover of the Connect Four box."

This should have been my idea, because it's similar to some other things I've worked on, but it wasn't. But all of us who were present immediately thought it was the best way to go and we encouraged Andy to try it out soon and report back to us. What do you think the response was? Well, it was significantly stronger than when the trick was a prediction. It wasn't just a strong moment of magic. Instead it was a strong moment of magic that continued to reverberate as the night went on. People didn't want to drop the checkers out of the game, they wanted to freeze the moment in time. They would take pictures of it. They'd post photos on facebook and instagram with them holding the box up next to the actual game, their mouth wide open to express their stupefaction. And hours after the game, they would stop whatever they were doing and shake their head and be like, "I still can't believe that happened."

Taking yourself out of the magic is something I'm a big proponent of. In fact, that may be the heart of my style. (Either not taking credit OR claiming to have done something so unbelievable that it's clear you aren't intending to get actual credit for it.) This is a subject that is part of a lot of the projects I'm currently working on. There are a number of effects in the forthcoming Jerx Book that are about removing the predictions and the magician's fingerprints from the effect; part of The Amateur At The Kitchen Table focuses on eliminating the feeling of a performance by not taking the role of a performer; and in one of the future posts in Project: Slay Them, I'll be writing about how getting back into showing people magic is much easier when you're not demonstrating some supposed "power" but just creating moments where something amazing happens (without you taking credit for it).

I started down this path when I realized that many of my favorite effects to perform were prediction effects. And even if you're using different objects, the effects can feel the same to the spectator, i.e. they make a lot of free or random choices or actions and in the end you've predicted the outcome of those choices and actions. Getting rid of the predictions in prediction effects will make them feel like something else entirely. They can be examples of incredible coincidences, fate, or luck. They can be echoes of something that has come before. They can indicate the guiding force of some higher power or some entity on another spiritual plane. There are dozens of ways to spin a typical prediction to remove yourself from the equation.

You might be thinking: But I want the credit. I don't want to remove myself and my "power" from the equation. I want them to think it was me who did something incredible. Really? Do you? I'm not talking to the professional performer, they have different concerns than an amateur (although I think there is merit in this style of presentation for professionals as well). If your goal is to entertain or amuse or enchant someone then you have to think how you want to approach a performance. If someone watches you do something for 5 minutes do you want them to leave having an experience that made you look incredible or having an experience that made their world seem more incredible? Which do you think will stick with them more?

You might think this is all a waste of time to think about because most people will know it's a trick regardless of your presentation. And yes, this is true. But that is not a strike against this style of presentation. In fact, it is its greatest strength. Here's why: No matter how you present an effect, you will have believers and non-believers in what you say. The vast majority are probably non-believers. And when you make a prediction or say you have some amazing power, then the non-believers will be taking credit away from you. "You didn't really predict this poker hand." "You didn't really read my mind." But if you don't claim responsibility, then the non-believers will be giving you credit. And the more you deny it, the more credit they will give you. "He says he had nothing to do with this... but he must have." And even if, in these two scenarios, the non-believers are arriving at the same destination, the direction they come from makes all the difference. [If I tell you, "You won a billion dollars in the powerball lottery," and then come back and say, "My mistake. You won $40," you're devastated. But if I say, "You lost the lottery drawing." And then come back and say, "My bad, you actually won $40." Then you're like, "Cool! Let's order a pizza."] So even if your goal is to get credit, I think you'll get more by not taking it.

Beyond that, I've found people are just more likely to play along with things when you don't claim to be the prime-mover behind the effect. And why wouldn't they? What's in it for them to deny this amazing experience that just happened? On the other hand, when you say, "I'm reading your mind," or, "I can use my mental powers to predict what cards you'll select," it makes complete sense that very few people are on board. And then magic message boards are filled with people saying, "Why do they see magic as a puzzle? Why don't they believe in my mental abilities? Why do they heckle me? Why do they try and expose the trick?" Hmm... yes... what a shock that people don't want to play along with your narcissistic fantasies about powers you don't possess. 


For Christmas I got my friend, Andy, this yellow polo shirt from Original Penguin.

He was kind of confused until he opened the second present from me with this updated Connect Four packaging.

Now, right when he's about to win, he gives a big fist pump and as he goes to drop his last checker in he pauses and says, "Oh my god," and stares directly at the game box and waits for his opponent to put it all together. The game matches, the shirt matches, the fist pump matches and eventually his opponent will slap her palm against her face like the girl on the box as well. If you don't think that this is more fun, entertaining and, yes, magical than saying, "Before the show I made a prediction..." then we're occupying different worlds. I hope you at least liked my ass-paddling card-revelation.

A Magician in Barnes and Noble

Today I went to Barnes and Noble. 

I don't know about the rest of the world, but coloring books for adults are a big thing in the US these days because... well... I haven't the foggiest fucking idea why, they just are. People say they are relaxing and meditative which I guess makes sense. But take up knitting and at least you'll end up with a scarf when you're done. 

Now that I think of it, I bet this is the reason why a lot of us will sit with a book of card magic working through tricks we have no intention of ever performing for people. Thinking of it that way makes it feel a little less masturbatory, but all the same, I think if you're the type of person who practices and never performs you kind of owe it to yourself to actually give someone the experience of the effect. But whatever, that's a talk for a different day.

I think there's a market for the Magic Coloring Book effect for adults now. In fact, I would probably go all the way and use one of the ones with a truly adult theme like this one

Whoops, my bad. That last one is actually from the Donny and Marie Coloring Book from the 70s.

Anyway, I'd come out with my new adult coloring book and flip through the uncolored pages. Then I'd furrow my brow and get all upset like, "This is going to take me forever to get these to the point where I could jerk-off to these images." Then I'd pull out the Abracadildo and tap the book and show the pages were now all colored in. Then I'd hand the coloring book to someone and ask them to open it to any page and they'd find the book was stuck shut. Kind of like Paul Harris' Solid Deception, except with an adult coloring book and ejaculate.


I thought this was going to be a Steve Brooks action figure.


Oooohh-ho-ho!!! Man, I can't wait to find out what juicy secrets this book contains. This is going to be so crazy. Oh, I bet there's some stuff about his anti-semitism... maybe he has secret anti-semitic messages hidden in the park or something? What could these exciting secrets be?

OH MY GOD!!!! I never thought it would be something that provocative! This is crazy! If you have Disney stock I would dump that shit because that's going to be worthless once dirty little secrets like these get revealed.


My one purchase was the Taschen magic book which was in the discount section for $20. If you don't have it and there's a Barnes and Noble near you, go track it down. It's beautiful and inspiring and one of those things you can have around your house that many of your guests will take an interest in and it provides a natural segue into performing (if you so choose).

And I can't wait until Taschen puts together their book on magic from the 1950s to the present day. I'm really hoping they get in touch with me to write it. I would love to be able to describe the stunning and romantic visual images of modern magic.