Ladies & Gentlemen

This is a special announcement for my female readers.

Sorry, bitches!

You will not get your delicate paws on this close-up mat.

That's because, as the ad says, this is for the gentleman conjuror.

Oh, "Wah-wahh-wahhh!" Cram it, sister. I don't want to hear your whining. Go squeeze your boobs together, or whatever you ladies do with those things.

What were your plans for it anyway? Were you going to sop up your voluminous menstrual blood with it or some junk like that? This is a rich, velvety close-up pad for men. What don't you get about that? What are you even doing at this IBM ring meeting if you're not feeding or fellating us? There's no room for women in the refined art of wizard-pretending!

Magic is for sophisticated men like this

Or this

Or this

Magic provides me with the opportunity to gather with distinguished men such as these and to drink brandy and discuss Magic and Showmanship by Henning Nelms. Don't be naive, that book is just as relevant today as it ever was. You just don't understand it because your lady-brain is too full of Zumba routines, recipes, and the names of different breeds of horses to really "get" such a sophisticated art form.

What's next? You want to get your Lee Press-On Nails on our coin purses too?

Our gentleman's coin purses? The ones we keep our gentleman's coins in? Because that's where it seems like this is going. And you know a coin purse is a man's most sacred possession. The object by which other men judge his masculinity. Customarily they were made of a man's own scrotum.

Now, as the ad copy for this close-up pad says, it fits alongside your notebook, computer or tablet. These are instruments we men use for designing bridges and curing diseases. It does not say the close-up pad comfortably fits next to your mascara, vibrator, and Gilmore Girls DVDs. Because, let me repeat: This. Is. For. The. Gentleman. Conjuror.

I guess my main concern is this: The public perception of a "magician" is of a super-classy, gentleman. Yes, perhaps he has some of the traits of a scoundrel, but he has the heart of a noble man of good breeding. And we men have done such a commendable job of representing magicians as dashing, debonair men of taste and dignity that I'm a little concerned of what might happen if women were genuinely invited into the fold. Might they not undermine all the work we've done to build up magic as a hobby that is the epitome of urbane elegance?

And why can't they just use that close-up pad we designed specifically for them?

More Splooge

The Splooge was my lifestyle blog that took over this site a year or so ago. It taught you valuable things like the secret to happiness and how to keep from shitting your pants by sexually stimulating yourself.

The Splooge will be returning as a column in The JAMM. It may be an intermittent sort of thing. I don't know. The upcoming column deals with a couple techniques I've found helpful for giving compliments. Thje Splooge isn't directly magic related, although there may be some overlap. Does giving compliments have anything to do with magic? Hmmmm. Well, I'll say this. Both are often done out of faux-selflessness in hopes of receiving some response in return. So there's that relationship. But I'm not really attempting to draw correlations. This is likely just the first stage in The JAMM's evolution. Five years from now it will probably be some combination of Genii, Sassy, Spy Magazine, and Miniature Donkey Talk.

Get in on the ground floor before it really goes off the rails and subscribe here.

Thesis Statement

I had a pretty profound moment this weekend while working with one of the focus groups I mentioned last week. It was something a couple of the people said and it's related to a concept that I've been talking about here for almost two years, but they put it much more succinctly, and helped explain the "why" behind something I've been feeling instinctively for some time now. It could almost be a thesis statement for this site.

On the general form we give everyone to fill out before we start the group, there is a question we ask to get their broad feeling towards magic. We ask how much they like magic on a scale of 1 to 5. One being, "I don't like magic," and 5 being, "I love magic." These extreme ends are almost never selected, most people are a 2, 3, or 4. And, in particular, it's very rare for someone to pick, "I don't like magic," so when they do I always ask them about it. 

In this session, of the ten people there, two of them had selected "I don't like magic." Both were middle-aged women. 

Before we officially started the session I was informally talking with the two women as we sat at the table with the other participants. This was before we started recording the session, but to the best of my recollection this is how the conversation played out between me and the women who I'll call Anna and Beverly. Anna is a white woman, about 40, who had a background in theater. Beverly is a black woman in her mid-40s who is a stay-at-home mom who formerly worked in the finance industry.

Me: You both selected I don't like magic. That's pretty rare.

Beverly: Really?

Me: Yes. Is there a reason why? I always like to ask. I get some good stories. Was it a bad experience?

Beverly: No, it's just not for me, I guess.

Anna: Yeah.

Me: Not for you?

Anna: I just get a weird vibe from it.

Me: In what way?

Anna: Not like a supernatural or superstitious vibe. It's just a weird energy. It's like, "Look what I can do." 

Beverly: Right. "Look what I can do." And that's what kids say.

My partner who was at the table at the time said that everyone who was paying attention was nodding along too. 

Had my style of presentation not already diverged significantly from a demonstration of my "power" this would have been an even bigger moment for me. As it was, it just confirmed a lot of what I had been feeling about the performer/spectator relationship in magic and why making it about the magician has backfired for the modern performer.

We think we're coming off like a powerful god. "LOOK WHAT I CAN DO! BEHOLD MY AWESOME POWER!" We have these self-flattering pseudo-concerns, "Am I coming off too god-like? Do I need to tone it down?"

When really, many magicians are coming off as children craving attention. "Look what I can do!"

This is certainly much more in line with the reality of the reactions that many performers deal with day to day. "I just determined which hand was holding the coin by reading this person's body language and she said she wishes her kid was here to see this." "I just did my $400 book test and they asked me if I was available for children's parties." "I'm the most famous magician in the world. I've made 100s of millions of dollars. And the general public consensus is that I'm kind of a goofball."

This site is not about giving advice. I'm never trying to convince people that I have the answers. If I write definitively it's only because it would be annoying to read the site if I prefaced everything with "I feel..." or "In my opinion...." This site is only really about my journey with magic. And perhaps there is some universality in that and perhaps not. Selfishly, I like the poor reputation magic and magicians have. It lowers expectations and gives me something to play off of when I perform. So you can take or leave anything I say. It's genuinely fine by me. But if you've found yourself wondering why what you're performing doesn't have a bigger effect on people, and why they're not drawn more towards your performances, I can only say that in the past I've wondered the same things too. And the big change for me happened when I started shunning credit; when the essence of my performances became, "Huh, this is strange," "Check this out," or, "Look what you can do," rather than, "Look what I can do!"

The Engagement Ceremony

First, some terminology.

Presentation - A context and patter for a specific trick. 

Universal Presentation - These are presentations that aren't limited to any one trick. I guess "universal" is a bit of a misnomer, because they can't be used for any trick, but they can be used for many tricks. Some examples:

Word-Processor of the Gods from the JAMM #1 is a triumph effect, but that same presentation can be used for a number of other effects as well. For example any torn and restored effect, or any effect where an item reverts back to its former state.

In Search of Lost Time is a handling for the invisible deck, but you can use the identical faux hypnosis presentation for almost any other trick from the Hot Rod to color changing knives to a Zig-Zag. 

The Passion of Donny Ackerman is a word reveal, but could be used for any trick you apparently achieve through stopping time (and that too is something of a universal presentation).

The Little Idea is a universal presentation for many Tenyo tricks.

Presenting gambling tricks as a rehearsal for an upcoming gambling con you're working on is a universal presentation for those types of effects.

Universal presentations are ones that can be used for multiple effects, but you would not limit yourself to one of these presentations for all your tricks, of course.

Performance Style - Is a broad manner of presentation that encompasses some or all of your material. 

I've codified three of these in the past:

The Peek Backstage: Presenting an effect as "something you're working on" where you're looking for the spectator's input.

The Distracted Artist: Presenting effects without presentation as if they're something you're doing absentmindedly.

The Romantic Adventure: Immersive presentations where the effect is not performed for the sake of the effect, but where it serves as a demonstration of some bizarre aspect of the universe you're temporarily inhabiting with your spectator.

You can read more about these in JV1 or earlier on in the history of this site.

If I wanted to, I could limit myself to only one of these presentational styles. While doing so would limit my opportunities to perform, it wouldn't be odd or redundant for people seeing me perform over and over again in that style because these are broad styles that contain a whole universe of effects.

I believe thinking in the context of "performance styles" for the amateur performer is one of the more beneficial things you can do. At least it's been one of the most beneficial thing for me in my growth as a performer because performance styles are all about two things: the relationship between you and the spectator, and the spectator's experience of the effect. And how you handle those two things will have a greater impact on your performances than whatever material you choose or sleights you work on.

In JV1 I write that there are "hundreds" of other performance styles one could adopt and recently I have started using a few more regularly which I will be discussing here over the course of time.

The first of these is called The Engagement Ceremony and this was laid out in this post, Presenting the Unpresentable. And essentially it's just a style for process-heavy tricks that focuses on the process.

For a long time I bought into conventional magic wisdom that audiences hate "process." But then I started really paying attention to audience reactions. I think it's true that people hate boring people presenting a boring process. But if you're an interesting person presenting an intriguing process, you will find great interest from people.

People don't go see a psychic and want a lack of process. They like process. If they walked in and the reader just said, "Look out for your health. There is good news coming on the job front. See you later." The person would be like, "What the crap?" They want the process of the cutting and the shuffling of tarot cards, or using a pendulum, or tossing tea leaves or whatever the hell you do with tea leaves. People like the process.

Yeah, but that's for people who believe in psychics. Is it though? I'm not sure that's the case. I think if you believe in psychics, then you're fine if one just spits out the information. But if you don't believe then perhaps the process and the ceremony is the interesting part of it all. Again, I'm not sure. But I'm positive you can frame process as an interesting part of an effect, so long as you put your focus on the process and away from you. 

Process is like foreplay. Both in the sense that it builds anticipation for the climax, and in the sense that magicians avoid it as much as they can.

If I ask you to think of a number between 1 and 4, and I guess it, that's a pretty weak effect.

However if we go through some multi-stage ritual that, at the end, has you thinking of a number between 1 and 4, and it turns out that is the number the ritual predicted, then that's inherently much more interesting (as long as it's not an obviously mathematical "ritual").

If I predict what number you thought of between 1 and 4 that could be luck, or it could be the world's least consequential super power. But if I have you invest time in a process of ending up on a number between 1 and 4, then you're unlikely to think it's "just luck" because I wouldn't have taken up a bunch of your time with something that relied on luck. And if you're inclined to give me credit for what occurred then you don't just give me credit for predicting the number between 1 and 4, you give me credit for knowing the steps all along the way.

Anyway, this all is to say that I have been incorporating more process heavy tricks into my repertoire, as I just enjoy the low-key nature of that sort of interaction. "Let's follow these steps and see what happens." There is a passive element of this type of presentationIt that is very pleasant for both the performer and spectator and it's an nice change of pace from some of the other performance styles I employ.

The Box Step

Does anyone know the highest price a magic book ever sold for at auction? 

The Jerx, Volume One is going to be sold out by the end of this month. But I'm going to hold one copy back and humbly make it available for just $1 more than the previous record for whatever the most a magic book sold for was. I'm serious, so if anyone knows, let me know.

Coming in JAMM #2

This is choreography, literal footprint on the ground choreography, for switching any decent sized object in the course of a one-on-one magic trick. I use it as a deck switch, I also use it for the switch in Mind Reading, My Sweet. I've switched examined spoons, rubiks cubes, pens, and notebooks with it too.

The details will be in the upcoming issue of the JAMM. Subscribe here.

Ancient Chinese Secret, Huh?

A JAMM subscriber sent me footage of him performing Mind-Reading, My Sweet from issue #1. Or, at least, the end of that trick where the prediction is revealed. It's very enjoyable to me to see someone other than myself try out one of these more oddly structured effects. That trick is a good example of what I discussed last Friday, where structural weaknesses of a trick are subsumed by the presentation. There will be more discussion on that trick in the Letters to the Editor section of Issue #2.

I'm mentioning it today because the ideas that follow are related to that effect. One of them (the one I don't particularly like) was the precursor to that effect. And one of them (the one I really like) evolved along side of it. Neither of the ideas I'm about to discuss are actually possible at this time because they would require apps that don't exist. However, they might be interesting ideas to think about just in a brainstorming sort of way. 

I have a gazillion ideas for apps. Hell, I've been coming up with ideas for computer software and stuff like that since I was in 6th grade and wrote up a parody version of Where in the World is Carmen Sandiego called Who In the Fuck Is Sherman Sanfrancisco. That is a good example of the issue with my app ideas, they really only appeal to me and maybe 6 other people. The Jerx App is the one idea I had with a more universal appeal, and that's because it's so simple and can do so many things. But most of my ideas are more along the lines of Breakfart, the app you fart into and it tells you what you had for breakfast.

So let's talk a little about the common ancestor that Mind-Reading, My Sweet and the effect that ends this post have in common. 

I had an idea where you would be able to predict anything a spectator names. Well, not you, but an incredible Chinese mentalist that you've been corresponding with. You could call him the great Foo Ling Yu. Congrats, now you're a comedy magician.

So you have a sealed envelope that this mentalist has sent you and you ask your friend to think of anything. For example, you ask her to think of a gift she once received. The best one, the worst one, or just any memorable gift. Your friend names a stuffed-animal turtle her dad gave her before he committed suicide.

"Ooooohhh sheeeee-it...," you say as you slink backwards out of the room.

I'm just kidding. She just says it was a stuffed turtle her dad got her for Valentine's day when she was 8.

You hand her the envelope and ask her to open it.

She does and finds a letter printed in Chinese characters.

"Oh crap," you say. "Normally we correspond over email and it automatically translates everything. Uhm... do you have a translation app on your phone?" She doesn't, so you open one on yours that translates whatever it sees through the camera. You set it to translate from Chinese to English and have her hold it over the letter. It translates it and the letter says, "I'm having a premonition of you meeting with a beautiful red-haired girl [or whatever describes your spectator]. When asked to think of a gift from her past, she will think of a turtle. I am very confident in this. Please use this information wisely."

At the end of the night she can take the letter with her and anyone who reads Chinese can verify what it says.

So, if it's not obvious, it's essentially a fake translation app. You print out a letter that has everything except the thought of object written in Chinese. Then when you open the app you secretly code what the thought of word is when you set the app to translate into English. Your spectator can watch you do this and see nothing suspicious. If you don't understand what I'm getting at, you can see this kind of covert input in this old Google trick

So the app asks you what language to translate into and you, apparently, type English. The app now knows the object the person is thinking of and inserts that into the translation that it overlays on the letter.

Ideally what would also happen when you secretly input their word is that a duplicate letter would print off, wirelessly, from your printer in another room. Then it's just a matter of swapping the letters at some point in the evening so she can take the letter home with her.

As far as ideas go, it's not that great. It lacks the charm of the non-app presentation used in Mind-Reading, My Sweet. I've seen the reaction that trick gets first hand, and now I've seen the reaction another person has had with it. And while it's not a particularly satisfying method for magicians, I find it to be a very satisfying unfolding of events for the spectator, and completely baffling assuming you handle the one move invisibly.

But it did lead to another idea which I really like, but again, it would require a custom app that would probably have limited appeal.

Ancient Chinese Secret, Huh?

Imagine this, a friend is visiting your house, he notices a new framed poster hanging in your living room. It's a paragraph of Chinese characters. He asks what it's all about.

You ask him if he can read Chinese at all, he says he can't. That's okay, you tell him, and you ask him to stare at the poster while you have him imagine the following scenario. 

"I want you to imagine you're an 8-year-old boy. You live in a rural part of southern China. One day you are walking home from school and off in the distance you see a clearing with an object sitting all by itself in the middle of it. You walk up closer and closer to the object until finally you can see what it is. What is it?"

"I don't know," he says.

"Just name the first thing that comes to your mind," you say.

"Uhm... a pickle," he says.

"Great." You ask him to stand next to the poster and you take a picture of him with it and text it or email it to him.

"I want you to find someone who can read Chinese and ask them what that says," you tell him.

A couple days later he reaches out to a professor at a local university and sends her the picture and asks her what the poster says. 

She writes back...

It says, "I was an 8-year-old boy. I lived in a rural part of southern China. One day I was walking home from school and off in the distance I saw a clearing with an object sitting all by itself in the middle. I walked up closer and closer to the object until finally I could see what it was. It was a pickle. While it did not seem like the most significant incident of my youth, I decided to print it up and put it on a poster because you never know what will turn out to be a magical moment."

How? 

This would be a variation on Aurasma, which is an augmented reality app. [Update: This is no longer active.] Essentially you can tell your camera to replace any object with another object when you're using it to take a picture. So, for example, you could set it up so anytime you have your camera aimed at a Bicycle joker, it would replace the image of the joker with the three of spades (or whatever). That's just a dumb card trick example. 

Here you would set it up so the image to be replaced would be the poster image, and it would replace it with an identical image except with the symbol for whatever word the spectator chose included in the text. Or, perhaps it could just replace a single Chinese character from the poster with the appropriate one to make the "prediction" accurate. Whichever looks better. You would need an app for this, of course.

So, your friend comes by, notices the poster. You tell them the story and have them say what they see in their imagination. Then you take a picture of him with the poster. As you go to take the picture you would type in whatever word he said into the app. Then the app would swap in the appropriate character for the incorrect character in the poster--augmented reality style (and ideally feather the image and balance the colors so it blended in well).

You take a picture, send it to your friend's phone and let him take it from there. I always like a trick that concludes when you're not around.

Damn Lies

If you own Marc Kerstein's WikiTest, you can click on the image below to download my take on the effect. It's not profoundly different, just a slightly altered presentation and method to take the effect out of the mentalism genre (I have enough mentalism tricks) and into a moderately absurdist 5-minute presentation piece.

The password for the pdf: Go to the WikiTest app > Go to Instructions > Go to "The Method" > Scroll down to the last paragraph, it's the word after "remotely" in lowercase letters. 

I don't know if it's the type of thing that will appeal to anyone who isn't me but I have a lot of fun performing it, so someone else might too.