Mailbag #75

On the topic of wallets I was looking at different no palm card to wallets. Was trying to avoid the huge Mullica looking ones. Came across fellow Canadian Shawn Farquhars wallet which is a no palm.

Unique thing is that you show the wallet empty, and then the card appears at the end. What do you think about this? Do you think that is more advantageous or deceptive? I’m a bit on the fence.

I thought it’d be fun to have a presentation with an invisible “pen pal” and have a little stamped envelope appear in the wallet or something.

Just appreciate your thoughts on wallets, and was curious to see what you think on this one. —AFC

I like your idea of an envelope appearing from your pen pal and it having the spectator’s card inside. That gives card to envelope in wallet some meaning besides, “I can make a card go to an envelope in my wallet.”

That said, as for this wallet, I don’t know that I could like it much less (with apologies to your countryman). You’ve got a wallet that opens horizontally and vertically, like no wallet I’ve ever seen. It’s almost confusing in the way it opens, which is not what you’re going for when doing something as common as opening a wallet. Now, perhaps such wallets exist. I’m just saying I’m a grown-ass adult and I’ve never seen a wallet like this.

I also don’t like that the card, when it does appear, is just kind of floating around in the wallet. It’s not in an a pocket or anything. Why would you magically make it go into the wallet if you weren’t going to make it go into the area where things go in the wallet? It would be like vanishing a hamster and saying it was going to appear in your car, and then instead of it appearing on one of the seats or in the trunk, it appears on top of a tire in the wheel-well.

But the most unforgivable thing about this is that the logo is a 3 with a spade symbol around it. You might as well have “Trick Magic Wallet” embossed on it.

As for the general idea of showing your wallet empty before showing the card in it, I think that could be an added moment of mystery in a CTW routine. But maybe not. Maybe it would just tell the spectator, “It’s really easy to get cards in this wallet without you seeing. I don’t really know, but in either case that moment isn’t really worth it for the negatives I see with this wallet.


Will you be picking up Three Skulls on a Spike by Andy Nyman? I love the look of the trick, but it’s a bit pricey for a 1 in 3 effect. What do you think? —PC

The key words you said were that you “liked the look.” If you think the price is worth it for an intriguing display piece that you can do something magical with, then I’d recommend you get it. If you’re looking for the most bang for your buck in a magic sense, then your $100+ is going to be better spent elsewhere. While a 1 in 3 effect like this can get a nice response, there is a ceiling to the impact it will have. I’ve had people disagree with me on this fact, but this is just basic understanding of the human mind. Obviously an effect that is just slightly less improbable than predicting a single coin flip isn’t going to have the potential impact of something considerably more improbable or impossible.

But it can still be a fascinating piece of art. And if anyone can wring the most entertainment of this type of effect, it would Andy Nyman.

I would say that if you’re not going to indulge in the weirdness of this prop in your presentation, it seems like it would be a waste of money. If you’re going to perform the prediction (or however you frame it) the same way you would with dice or coins or gumballs, it would make more sense to use one of the other variations of this effect.

I, however, will be picking this up. It will work well with the other tricks I do with fetal skulls.

Iteration Testing Peek Wallets

Here are some semi-disorganized random thoughts and conclusions I’ve come to so far, approximately 360 days into Iteration Testing peek wallets. Performing at least once every day and cycling through numerous variables in different combinations.

The biggest question with peek wallets is how you justify:

  1. Having them write down the word.

  2. You taking the word from them

  3. You putting it in your wallet.

If you read me regularly, you know I want everything to feel logical. I don’t buy into the “you’re a magician so you can do whatever you want” mentality. I think the only way to get people to give themselves over to the experience in a way that will get them really caught up in it, is if things make sense to them (up until the moment of magic or mind-reading). I go into a trick assuming my spectator is bright and curious about what they’re seeing and the conditions surrounding what they’re seeing. So trust me when I say I resonate with the concern that people might question the need for them to write the word down and the actions of you putting it away in your wallet.

However, after performing this every day for a year, I’m beginning to believe it’s not that big of a concern. Well, I should say that I think there’s a very easy way to make this not a big concern.

Keep in mind that every piece of mind-reading has some sort of procedure. They flip through the book to find a word to think of. They choose a card to have a playing card to think of. They’re writing things down. They’re selecting something from a list. They’re telling you which of the lotto tickets have their number on them. Every mentalism effect has some element that would be unnecessary if you could genuinely read minds. But we still do all those other tricks.

And now I’m going to say something that I didn’t think I’d say before beginning this testing.

Having someone write down a word and putting that written word back in your wallet is one of the least questionable things we do when mind-reading.

The reason I say that is because the actions don’t really need to be a part of the “mind-reading” process. You can get them done early on. In fact, you should get them done before the subject of “mind-reading” comes up.

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If I say, “I’m going to read your mind. Think of any word. Write it down here. Give the card back to me. I’m going to put it in my wallet.”

Yes, of course, that’s dumb.

But it’s only the first sentence that’s dumb. Imagine this instead.

“I want to try something with you. I’d like you to write down a word for me. It can be anything. I’ll turn away. When you’re done, put it writing side down on the table.” They do and tell me they’re done. I say, “The writing-side is facing the table?” They say yes. I turn back around. “Good. I don’t want to see it just yet. I’ll put it back for now and we’ll get to it later if we need to.”

Now, there is nothing genius about that scripting. But it’s a good example of a generic introductory script for a mind-reading presentation.

“I want to try something with you.”

Notice what’s not said at this point? What’s not said is any talk about reading their mind. I’m not bringing it up, so they can’t question these actions at this point in the context of having their mind read.

What I’m going to show them hasn’t quite started yet. We are setting up the “mise en place.” We’re getting things in position and out of the way. This is the nice thing about using a peek wallet. This can all feel like “set up” for what’s about to come. Whereas if we have envelopes and billets or book tests or center tears. These are often in play at the exact moment we’re supposed to be focusing on the person’s mind.

“The writing-side is facing the table? Good. I don’t want to see it just yet.”

I’m establishing I don’t want to see the word just yet. This is mandatory. I’m gently telling them to be on guard that I don’t just take a peek at the information. You might think that you wouldn’t want to bring up the idea of you seeing the information because you don’t want to put that notion in their mind, but it’s the opposite. During the Iteration Testing participants have been 12 times more likely to suggest maybe I got a peek at the word when I put it in my wallet as being a possible method when I don’t mention that I don’t want to see the card.

You need to inform them what to take notice of.

“I’ll put it back for now and we’ll get to it later if we need to.”

This is some subtle justification at this point. Because they don’t know what’s about to come, this is not the time to overly justify your actions. The card is going “back” to my wallet. That’s where it came from, so it makes sense that’s where it goes back to.

“If we need to” is deftly doing a lot of work in that sentence. It suggests a rationale for why you put the card away (because there’s a good chance you don’t need it anymore). But it also justifies why the card exists in the first place… because it might be needed.

The wallet goes back in my pocket or in my bag. We’re getting it out of the way. The card is no longer the focus of attention.

Now is the point where I talk about what we’re going to do. Something like…

“Okay, so you have a word in your mind now. Wait… just to clarify… are you thinking of a word or a name?”

(It’s always good to ask a question like this at a point when you already know the word. It reinforces the idea that you’re still in the dark.)

“Okay, so there’s this technique I’ve been studying that will hopefully allow me to determine the word in your head.”

Here is where you discuss whatever the process is that’s going to allow you to read their mind. Don’t rush this part. If you write a word down, I put it in my wallet, and immediately tell you the word you’re thinking of, then of course the wallet part will be suspect, because that’s all that fucking happened. But if there’s some sort of process that takes place—and if it takes some time—then all the focus isn’t just on the card and the wallet.

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Now, here’s the cool thing about Iteration Testing. For the majority of the people I perform for, I have their feedback on how the experience was for them. Including a rating of how much they enjoyed it and how impossible it seemed. I literally just tell them that I’m working on a project and looking for feedback and people are happy to give it once I convince them I want their honest critiques.

So I have their ratings, but I also have all the variables I’m testing out coded in a spreadsheet. And I can isolate one of those variables and then compare all of the performances with that variable to all the ones without it. For example, of the 360 performances I’ve logged so far, in 40 of them, I’ve had the person put the card back into the wallet themselves. Now I can look at the scores for those 40 performances and compare them to the average score across all performances and get an idea of how changing that variable affects their enjoyment or their perception of the strength of the effect. This isn’t necessarily scientifically definitive, but it’s a good enough estimate for our purposes.

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One thing I’ve change my mind on is how much you should justify having them write down the word. I used to advise that you shouldn’t justify it at all unless they ask why they had to write down the word.

But I’ve since tested this with three levels of justification and come to a different conclusion.

The three levels of justification I’ve used are:

  1. No justification - I never give a justification for why the word is written down, unless they ask for it.

  2. Direct justification - Example: “Now, the reason I had you write down the word is to give your brain a focal point for both of us to zero in on. If I ask you, ‘What are you thinking?’ You’re going to have numerous conscious and unconscious thoughts at any given time. Trying to unravel all of that is not something I can even come close to doing. It’s probably not something anyone can really do. Mind-reading requires some level of organized thought. Just like normal reading does. If a book was just a pile of jumbled words, the message would never get through. But if you put those words in order, then you can communicate. Rather than wading through disorganized thoughts, writing the word down allows us to have you think directly of what you wrote.”

  3. Casual justification - Example: “As we go through this process, your mind might wander. That’s okay. You want to treat this like meditation. When you sense your mind wandering from your original thought, I want you to bring it back to the word and see it written on that card in your mind. That’s what it’s there for, to give you a focal point.”

The highest ratings came with a casual justification. Not ignoring the written word, but not overly justifying it either. The difference wasn’t staggering, but it was statistically significant.

Now if I had to recommend something I would recommend a casual justification and then having a more direct one chambered if someone questions you about it.

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By the way… the worst rated justification? “I’m having you write it down so you can’t lie to me later on.” You can perhaps get away with that as a rationale when performing professionally or in a large group. But in small groups and one-on-one, it comes off as weird.

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Here’s something you might find reassuring. I’ve been involved with testing tricks in one fashion or another since 2005. When asked to suggest a potential method for tricks, people regularly guess trick cards, trick coins, trick rubber bands, trick pens, trick bottle caps, trick whatever.

But oddly enough, hardly anyone has suggested “trick wallet” as a possible solution for most of the peek wallets I’ve been using in this testing. It just doesn’t really come up. That’s a concept that seems to be completely foreign to most people.

The wallets only ever seem to draw suspicion when:

A) They look considerably different than a normal wallet

or

B) You have to go in a second time to get the peek.

Only in those cases did the wallet draw any significant amount of attention.

So if you have a wallet that looks normal-ish, and you don’t have to go back into it to get the peek, you don’t really need to worry much beyond that.

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I’m still about five months away from completing this testing. The full write-up with all the “highest scoring variables” will be in the next book.

Iteration Testing

A year ago today I found myself wondering what I was in the unique position to do as the person behind this site. I had always considered the focus-group testing I’ve helped conduct to be some of the most useful content on this site. While other people had tested magical concepts before, and even more have done so since, they usually do so in the manner of a “scientific” or “psychological” test. While interesting, I feel this framing doesn’t get the best results. It’s how we first started testing originally as well. And what we realized is that people think there is a “right” answer to a scientific or psychological test. This made them less likely to give their honest assessment of things out of fear that it wasn’t the “correct” one.

When we switched to a focus-group testing style and began soliciting people’s opinions they opened up 500% with us. There was no longer any concern with being right, or doing things “properly.”

We also learned that people were naturally inclined to be nice to a performer. People who would tell us they were very fooled and had no idea how a trick was done, would then give us a detailed and often accurate guess of the method when we offered them $5 to do so. We’ve since learned ways to prompt people for their full feedback without the need to offer them an additional incentive. But there was definitely a learning curve to pull this information out of people.

I enjoy the testing and think it’s beneficial, and there is more testing results coming out in the next book. However it has the downside of needing multiple people to organize it and pull it off. And most of the people I used to do the testing with aren’t in NYC full time anymore, including myself. So it’s something we have to plan long in advance. Plus it’s very expensive. The year before the pandemic we spent $14,000 just on paying focus-group participants alone. And when the pandemic came it was essentially impossible to do large-scale testing.

So last year I was sitting around and thinking of what else, besides the focus-group testing, I was in a unique position to do. And then it hit me:

Iterating

In other words, testing different versions of something over and over..

Most amateurs might be lucky to perform once or twice a week. And they’re not necessarily looking to “test” new ideas. They, understandably, want to make the most of their limited performance opportunities.

On the other hand, professionals may be willing to hone an effect until it’s good, but they’re unlikely to fuck around with it too much after that point. What’s the point? When you have something that works, there’s little incentive to take steps back and try different paths that may not work, in hopes of stumbling over something potentially stronger. (And, honestly, most “professionals” working restaurants or bar mitzvahs aren’t really innovating with magic. They’re doing other people’s tricks with other people’s patter and telling other people’s jokes. There are, of course, incredible exceptions to this rule. But if you open your yellow pages to “magician.” 95+% of the names you see there aren’t doing anything interesting. (You still have the yellow pages?))

As the world’s only professional amateur magician, I have the time, the funding, and the inclination to test ideas out over and over. Performing multiple times a day (on average) in casual settings, I have the opportunity to give a shot to ideas that are unlikely to work. And I’m perfectly happy to abandon ideas that are already working just for the sake of testing new variables.

I call this “iteration testing.” Taking a technique or a concept and trying out as many possible variations of the technique as possible.

On November 28th of last year I started my first series of Iteration Testing devoted to peek wallets. 500 days in a row where I would test minor variations on how to peek, when to peek, what to peek, what wallet to use, what type of information to ask for, etc. etc.

I’m also getting feedback in multiple ways. For some I’m just collecting it in real time as the trick progresses. For some I’m talking with the person immediately afterwards and questioning them about their experience. And for others I’m contacting them a week later to get their thoughts.

I am now 358 days in (I took a week off when I had Covid). I will be doing a full write-up on my takeaways from this testing in the next book (given that the supporters are the ones affording me the time do this). But tomorrow I’ll post about what I’ve learned so far about the biggest concern people have with peek wallets (how to handle the seemingly illogical nature of asking for someone to write down a word and putting it back in your wallet). It builds off something I wrote in a post a few years ago. But now I have some concrete data to back-up some of what I thought at the time (and refute some of it as well).

I now have three different Iteration Tests running. The other two are likely to be shorter. About 200 days each I think. More details on those to come. If you think of a subject that could be interesting to look at through the lens of Iteration Testing, let me know.

Until December...

This is the final November post. Regular posting resumes on December 1st. That’s also when the next newsletter will be sent to supporters. If you need to get an ad in for that, try to get it to me by Monday or so.


We currently have 49 magicians on the GLOMM’s list of convicted sex offender magicians. Let me firmly state that there is NO prize for being the 50th member kicked out of the GLOMM. So whatever sick thing you were planning on doing to get booted in hopes of getting a Vanishing Inc. Gift Certificate, or whatever, please, just forget it.


I found this to be an odd quote from Craig Petty regarding the new trick Hand Drawn. (Taken from the ad copy here.)

Honestly if you could really do magic this is what you would do!”

Hmmm…

Uhm, just as a reminder, this is the effect of Hand Drawn.

Now, look, I like the way the trick looks and I’ll be picking it up.

But this is what Craig would do if he could “really do magic”? It seems like awful waste of magical powers. You know there’s a famous trick in magic where you pull money from the air, yes, Craig?

Anyway, I found a few other endorsements from Craig. He gets really enthusiastic about these tricks.

“I would be willing to take 20 years off my lifespan if it meant I could make candles disappear for real. I shit you not. This is all I’d ever do. Candles would cost, like, a million dollars a piece because they’d be so rare because I’d always be making them vanish.” - Craig Petty

“What would I do with real magic powers? Day one, minute one… I’m tearing birds into two separate birds. Hellz yeah. You want me to cure all diseases? Sorry, that’s going to be a distant second on my list of shit to do. In fact, bird-borne illnesses are probably going to increase in the immediate future of me gaining those powers.” - Craig Petty

“I would sacrifice my son to the great demon-god Moloch for the ability to do this just once in my life for real.” - Craig Petty


Someone wrote in to ask me how many emails I get a day. On average, I get about 10-20 emails a day that require a response. (Well, “require” is a strong word. I try to respond to everything, unless we’ve been going back and forth and I don’t have anything more to add.) When I ask specifically for people’s input on something I will get usually dozens to 100+ emails. (Which was why it was telling to me when I asked if anyone had an impression pad they would “highly recommend,” and I heard from just a few people. That’s a gimmick that’s dying for someone to come in and develop a definitive version.)

10-20 might not sound like a lot. But if we take an average of 15 emails a day, and multiply that by 5 minutes to read, process, and respond to each email (some take a few seconds to respond to, but others take an hour). Then you’re looking at almost 40 hours a month. That’s like three-months of full-time work per year.

I’m not complaining. With Thanksgiving coming up here in the US, let me once again state how thankful I am for the people who support the site. As well as the people who write in. I love when people write in with ideas they’re working on, details on projects they have coming out, recommendations for stuff they really like, stupid magic gossip, and all of that. If I only respond back a sentence or a short paragraph, it’s not because I’m not interested or don’t appreciate what you’re bringing to the table. It’s just because I have to budget the time I can devote to things related to this site, and that doesn’t allow for super-detailed responses to every message I get.

But again, thank you to everyone who reads, writes, and supports.

For those in the U.S., have a great thanksgiving. Meet you all back here Dec. 1st.

A Tip for Practicing Acts of Dexterity

This is something I stumbled on when learning guitar, I believe. And since then I’ve applied it to learning other instruments, juggling, and picking up some sleight-of-hand techniques. This may be something that only works for me. Or it may be something that is so obvious it’s written up in 100 other places. Or it may be somewhere in-between.

So it started when I was learning a song on guitar that was slightly ahead of my ability and I wasn’t quite getting it. And, for some reason, I began to think about how stupid I would look trying to learn this thing if anyone was watching. My face was scrunched up and my jaw was tense. So when I attempted the fingering I was trying to learn again, I focused on releasing the tension in my jaw while I did it.

And there was a noticeable improvement in my ability when I did that.

So I tried it with other songs that had been hard to play in the past, and those went smoother too.

Somehow, unclenching my jaw was helping me learn guitar better.

After 20 minutes or so, my jaw was unclenched and I didn’t have to focus on it anymore.

And my ability took a step backward. Things got tougher again. Even though my jaw wasn’t tense.

Then I realized that it wasn’t my jaw being loose that had helped me.

It was the act of focusing on my jaw that had helped me.

The natural instinct, when learning something new—especially an act of dexterity—is that you want 100% of your focus targeted on that activity like a laser-beam.

But what worked for me was splitting my focus. Not with something that required a lot of thought, but on something uncomplicated: relaxing my face. The amount of thought I was giving to the fingering and the strumming of the guitar was just enough to mentally address those things. My primary focus was on my face. I’d sort of scan around it and ask myself how it was feeling and note different areas and if they were relaxed or not. So now I was trying to learn the song while devoting less thought to it. And for whatever reason that worked very well for me.

I’ve since used this technique when learning other instruments as well as sleight-of-hand like false shuffles and false deals, and other skills of dexterity.

Obviously you need to understand the fundamentals of what you’re learning before you can use this. Like you need to have your head around what you’re trying to do and be able to do it in a simple or slow fashion. But after you have reached that level of competency, I suggest trying to improve from that baseline with less conscious thought by focusing on something else simple stimuli.

Again, I have no idea why this works, or if it will for others, but you might want to give it a shot. It has helped me a lot.

Like, before yesterday I’d never even tried surfing.

But look at me now!

New Release Round-Up #4: Penguin Black Friday Edition

Time for more uneducated opinions on new releases based solely on the advertising copy and first impressions.

Today we’re focusing on Penguin Magic’s Black Friday releases. Of all the magic companies, Penguin probably does Black Friday the best. They come out with a bunch of new releases, have a ton of bonus gifts for spending at certain levels, and they have their 5 for $99 section which was once a beacon of good deals but needs to be revamped. Now it’s like shopping in a bargain outlet store at best and a janky flea market at worst. Those types of places can be fine if you just happen to be looking for some cheap scented candles or a VHS copy of Wrestlemania 8 highlights, but they’re not really a big draw. At the very least, most of the Penguin Live Lectures should be in the 5 for $99 section, not just the old ones. The majority of the physical products that are in there are DVDs, so that tells you about how current the offerings are. Most of these things should already be discounted to $20 without having to buy $5 of them.

Penguin did a 12 hour livestream last Friday which was surprisingly watchable. I mean, there’s no reason to actively watch more than an hour or two, as they’re repeating a lot of the same information throughout most of it. But as a way to launch their sale I thought it was pretty effective. If they do something like that again, they should add more live performances. I mean live as in live during the livestream. Not a live taped performance. What people want to see is that you have confidence in these tricks to show them without a safety net, considering you are expecting people to go out and perform the tricks in that way.

Now let’s get into the tricks that were released this year in their Black Friday Sale. The headings below are all clickable links. But it’s not like I’m getting commission or anything, so you can just go directly to Penguin and find the products listed there.

Laced Up by Donnovan Mount

I think this looks great. A borrowed ring is linked to your shoelaces. That’s where it starts, but then it gets weirder with you moving the knot on your laces to a different part of your shoelace, untying it, then moving it back up. Check the demo, that will be clearer than me trying to describe it.

The weaknesses to the effect might be:

  1. Motivation. Why are you attaching a ring to a shoelace? This might be a trick where the visuals are interesting enough that you don’t have to over-justify it. Although it might make sense to walk them through the process with some rationale. “When I’m cheating on my wife, I need to put my wedding ring some place. But I don’t want it to fall out of my pocket. Or leave it on the counter where the prostitute can take it. I found a very safe place is here at the bottom of my laces. Now if the prostitute—sorry, sex worker—wants to steal it, she has to unlace my entire shoe first. Which I’d probably notice, I think. But it also means I have to unlace my shoes in order to get the ring back too. So I simplified that by moving the knot.” Etc. This would be a good presentation for many of you because you seem like the sort of person who pays for sex.

  2. Googleability. The problem with a very unique trick is that it becomes much easier for a person to search out online should they choose to. Maybe do it with something other than a ring, if possible. (A house key?) So they don’t have all the keywords they need to track down the exact trick.

Die-Abolical Bet by Nicholas Lawrence

A die is place between two playing card and set on a shot-glass. You, or the spectator, press down on the top card and the die penetrates into the glass.

On the Cafe, people are concerned about switching out the gimmicked card after the effect.

Nicholas Lawrence replied in that thread:

“For people worried about the switch.. this kinda hurts my head, as it’s a very basic and easy routine to learn and it really shouldn’t be something a seasoned magician worries about”

I’m not sure why it “hurts his head” as it’s literally the most basic concern a performer should have with this. Especially a “seasoned performer.”

If you push a die through a playing card, 100% of everyone’s suspicion is on that playing card. It’s not on the glass or the die. There’s no available “offbeat” after the penetration. Distracting them from the cards will be obvious. So you need a smooth, somewhat imperceptible switch.

I’m wondering if the top card of the sandwich could be a rough paired (or something similar). So at the end you could cop the bottom card while spreading the top pair and handing them out to be looked at. In that way you’re seemingly giving them the object of their suspicion immediately. Perhaps something like that is covered in the instructions if it’s possible.

I actually got an early version of this trick to play with.

It looks good I think.

Okay, I lied, that’s just a card with a little flap I cut into it. But that’s my point. Cutting a flap in a card isn’t something I learned from a summer spent at Tannen’s Magic Camp. It’s an obvious solution. If your performance doesn’t account for this, you’re screwed.

Hand Drawn by Nick Popa

This is a fun one. You draw a small black X on your hand and make it move to another part of your body.

I have a basic idea of what must be going on here, but it honestly looks better than the simple explanation that’s in my head. And this was, I think, the only trick that was demonstrated live during their livestream and it looked good there as well.

The patter Nick uses—that he used to go to clubs and they would draw an X on his hand to show he was underage, but he’d move the X somewhere else (so he could get loaded)—is perfectly fine. You just need to add another line. Say something like, “I’m just going to demonstrate it with a little X, because I don’t feel like scrubbing off a huge one later.” Because when you go to a club, they don’t draw teeny X on your hand. So you need to justify why you’re doing so in this case. Saying you’re doing so because you don’t want to deal with a big X later makes sense.

Real Viewer by Mandy Hartley

You read someone’s mind based on what they’re looking at in a View Master (or the generic equivalent).

There’s nothing gimmicked about the viewer itself. The reel of images used is designed so you can fish for what they’re looking at. But other than that, it’s not gimmicked. The question is, would you do a fishing-type trick like this if it was seven different postcards? Probably not. So what you’re paying for is the novelty of doing this with a View Master. And if that’s worth $40 to you, then this could be a fun thing to have lying around.

I don’t think this would work great in a show setting because there’s no way for the audience to really understand what the person’s options are or what they’re seeing. Yes, you could explain they’re looking at slides of different landmarks, but if the audience can’t really visualize what they’re seeing, the reaction is going to be weaker. It would be like if you were showing a spectator on stage a pad of different drawings, but you didn’t show it out to the audience itself. The trick wouldn’t be as strong.

And even with a small group, where the viewer could be passed around and everyone could look into it, you’re not really going to want to do that because then everyone will be following along with your fishing with one of the locations in their head and they’d realize, “Hey, that sort of works for me too.”

So this seems to me to be best performed one-on-one. But there may be some elements to it that I don’t quite understand that make it more usable in other situations.

It’s pretty clear what you’re getting here, so if it’s your type of thing, it could be fun.

Axis by Rizki Nanda

Effect: You balance the deck and the card case in a few different ways.

For me, this looks the weakest of the lot. Not bad, but just “okay.”

To be fair, it may look better in real life than on video. This is often true of balance effects, in my experience. So I’d have to see it in person to really judge.


There you have it. Penguin also launched a re-release of Tamariz’s Sonata and Dean Dill’s Blizzard and a couple decks of Christmas-esque playing cards. You can read more about their Black Friday deals here.

Dustings #76

I was sad that I couldn’t find pics online of Max Maven in his suit jacket with no shirt underneath phase, luscious chest hair flowing in the breeze, as remembered by Mac King in Monday’s post. Fortunately a couple readers who apparently have hard-drives full of sexy magician pics were able to send some shots where we get a peek of that mane. Thanks to Chris C., and Clark P.


Another Chris C., directed me to this YouTube video which I hadn’t seen before. He writes:

Something about todays post [Tuesday’s post on the Modest Mentalism stage presentations] just reminded me of this stupid Matt Colbo video. It’s much the antithesis to your idea but I figured you’d enjoy it.

I did enjoy it. If nothing else, it’s the most convincing version of one person playing two people that I’ve seen in a YouTube video.


How to Use the Cafe’s Latest and Greatest Section

The Magic Cafe’s “Latest and Greatest” section is one of the few areas of that site where anyone spends any time anymore. When the Cafe was thriving, it was easy to get sucked in there and spend a lot of time following the hype for some new trick or some moronic debate. These days, most of that discussion has gone other places online, but you can still find useful information there from time to time.

I don’t have the time or inclination to waste much time on that site, so here is how I go about getting the most value from that section with the smallest investment of time.

  • Once a week or so I stop by the the Cafe and visit that section.

  • I take a look at the new threads that have started since I last was there.

  • I make note of any new tricks that sound or look interesting. I specifically note their release date.

  • Two weeks after a trick has been released, I visit the thread for that trick. Are people happy with it? Are people pissed with it? If it’s getting solid reviews at this time, then I’ll purchase it. More often than not though, people are logging their complaints with the product and I’ve saved myself some money by not getting swept up in the initial hype.

  • Two or three months later, I’ll revisit the thread for a trick that I purchased and see any new ideas, handlings, etc. that people have come up for it.

That’s pretty much it. I don’t follow threads. I don’t post. This is my system for using the Cafe as a resource, as opposed to what it can be: a profound waste of time. (I’m not judging anyone who spends a lot of time there. When I had a desk job, I’m sure I spent more time perusing that dumb site than actually working. But now that I work for myself, my time is more valuable. I’m generally not looking to kill time anymore. )


I’m working on the first Jerx Almanac, which is going out to supporters on January 1st, in the newsletter slot. I mentioned this many months ago. This ebook is going to break down what I’ve found to be the best tool in different categories. Which thumb writer, which marked deck, etc.

Two ways you can help the project:

  1. If you have a category of “tool” you’d like for me to address in the e-book that I might not have considered, let me know.

  2. There are two things I’d like your input on. And those are A) Impression Pads and B) mystery box/card to box/small prediction box (like Vision Box). The ones that I use and would recommend are no longer available. So while I’ll mention what they are, I don’t want to leave people hanging with no good alternative. So if you have an impression pad or mystery box type thing that you would HIGHLY RECOMMEND, please pass the recommendation my way so I can check it out. Thanks.